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An early Nazi sympathizer and supporter, Koch's fonts were heavily used by the Nazi regime.The best website for free high-quality Prisma Pro fonts, with 27 free Prisma Pro fonts for immediate download, and 13 professional Prisma Pro fonts for the best price on the Web.This page lists 158 royalty-free Christian symbols drawn by Rudolf Koch, a religious Lutheran, with the collaboration of Fritz Kredel (1900-1973) (see also here).His typefaces, with notes on digitizations: These include Kabel (a sans), and Neuland (an angular poster face). Many of his typefaces can be classified as German expressionist. Line Flat Font + Line Flat Icon.
Dieter Steffmann made Claudius, ClaudiusAlternate, and ClaudiusHeadline in 2003. Based on the latter, Manfred Klein made ClaudiusImperator (2001). Delbanco (as DS-Claudius) and Klaus Burkhardt (1991) digitized it. Klingspor completed it in 1937. His son Paul Koch followed Rudolf's instructions to make one weight in 1931-1934.
Klingspor), Deutsche Schrift fett (1910, Gebr. Deutsche Schrift (1908-1921), consisting of Deutsche Schrift schmal (1913, Gebr. Stempel AG) , Deutsche Anzeigen. Later weights by Koch: Deutsche Anzeigenschrift eng (1923) , Deutsche Anzeigenschrift breit (1923, D. Revivals include SchmaleAnzeigenschrift (2002) and SchmaleAnzeigenschriftZier (2002) by Dieter Steffmann, and Schmale Anzeigenfraktur (2009) by Ralph Unger. Deutsche Anzeigenschrift ( 1913-1914), Deutsche Anzeigenschrift schmal (1916-1923, D.
Deutsche Schrift fett, aka Fette Deutsche Schrift, was revived by Dieter Steffmann in 2002 (as Fette Deutsche Schrift) and by Alter Littera in 2012 as Deutsche Schrift. For comparison, here is a phototype version. It was a popular family, known in England as Oxford. Revived by Gerhard Helzel as KochFrakturSchmaleHalbfette (2000), by Christian Richter as Rudolf Koch (2003), and by Delbanco as DS Koch Fraktur. Also known as Koch Fraktur. Klingspor) and Deutsche Schrift halbfett (1912, Gebr.
Revived as Zierinitialen by Dieter Steffmann in 2002. Deutsche Zierschrift (1921, Gebr. Delbanco revived it digitally as DS Deutsche Werkschrift. Stempel AG): This is really the "mager" version of Deutsche Anzeigenschrift. Stempel AG) and Deutsche Werkschrift hablfett (1934, D. Deutsche Werkschrift (1934, D.
Incredibly, the revival gang was still eager to spring into action: it was revived and interpreted by Frantisek Storm in Monarchia. Klingspor) is a blackletter that seems to have been executed with a shaky hand-it is definitely one of Koch's weakest and ugliest designs. Frühling (1913-1917, Gebr.
Grotesk Initialen (1933, Gebr. Geschriebene Initialen zur Grotesk (1930, Gebr. Frühling is sometimes called Kartenschrift. For another revival, see Next Stringtime by Manfred Klein (2003).
Jessen Mittel 14 and Jessen Cicero 12 were developed by Alexis Faudot and Rafael Ribas in 2016 during an ANRT workshop in Valence, France. See DS-Jessen-Schrift (1998, Christian Spremberg), Peter Jessen Schrift ( Delbanco), Jessica Plus (2002) and JessicaSerif (2003) by Manfred Klein, Peter Jessen Schrift Pro (Softmaker, 2016), and Jessen Schrift (2004, Ralph M. Formerly named Bibel-Gotisch, the type was developed between 19 as Peter Jessen Schrift and released as Jessen in several sizes by the Klingspor foundry in 1930. Jessen Schrift (1924-1930) is a hybrid of gothic (blackletter) minuscules and roman capitals (including the characteristic Basque capital A) designed and cut without preliminary drawings in Offenbach am Main by Rudolf Koch for The Four Gospels, which was printed at the Klingspor press in 1926 and published by Koch himself. Digitized by Dieter Steffmann in 2001.
Dates of the various weights: Kabel Kursiv (1929, Gebr. This version overshadows all previous digital versions or extensions of Kabel. At Linotype, Marc Schütz designed the large family Neue Kabel (2016) that revives Kabel by making it more consistent. Softmaker calls it Koblenz. The modern Bitstream version is called Geometric 231. The most famous digitization of this Koch Sans family is by Victor Caruso in ITC Kabel (1976), and with its exaggerated x-height, much larger than the original, it is a poor bastard.
Klingspor): LinotypeLibrary, Kabel fett (1929, Gebr. Klingspor), Norm Kabel (1930, Gebr. Klingspor), Kabel Kursiv groß (1930, Gebr.
This gorgeous tall-legged and flared typeface was designed in 1917, but cut in 1922. It was sold by Continental Type in the United States as Eve. Koch Antiqua (or: Locarno) (1920-1922, Gebr. Klingspor), Kabel schmalhalbfett (1929, Gebr.
Koch Kurrent (1933, Gebr. Digital versions include Rudolf Antiqua (2018, Now Type), Eva Antiqua, Eva SG (Spiece Graphics), Eva (Monotype), AIKochAntiqua (a multiple master font by Randall Jones for Alphabets Inc), Astaire Pro (2004, Bergslund Design, or Hackberry), Koch Altschrift (2004, Moorstation crew), Locarno (1985, Alan Meeks for Letraset), Kuenstler 165 (Bitstream), Koch Antiqua (Adobe, Linotype), Evadare (David Nalle), Hellen (2019, Genilson Lima Santos). Rivoli is a similar metal typeface. Klingspor: some give the date 1923-1924). Klingspor) and Koch Antiqua fett (1926, Gebr. See also Koch Kursiv groß (1929, Gebr.
Digitized by Linotype in 2003 as Marathon LT (by Ute Harder, aka Frau Jenson), and by Softmaker a bit earlier. Marathon (1930-1938, Gebr. For a digital revival, see, e.g., Koch Schrift (1998, Ingo Zimmermann). It was used by the Deutsche Reichsbahn, ca. Koch Schrift (1909) is a Schwabacher first known as Neudeutsch and later as Koch Schrift. See Rudolf Koch Kurrent at Delbanco.
Maximilian (Gotisch) (1914-1917, Gebr. For an initial caps extension, see Typograf's Maximilian Antiqua Initialen (2015). Digitization by Manfred Klein, who made Maximilian Antiqua (2003) and MaximilianAntiquaSmallCaps (2003). Maximilian Antiqua (1913-1917, Gebr.
Maximilian (2012) is due to Alter Littera. Dieter Steffmann made Maximilian (2002) and Maximilian Zier (2002). In 1995, Doug Olena revived it as Maximilian. Castletype made MaximilianCS. See also Maximilian at Delbanco.
Klingspor): Koch's last Fraktur. Neu Fraktur (1933-1934, Gebr. Stephen Miggas's revival is called Gothicus (2006). Gerhard Helzel's revival from 1995.
Digitized by Linotype Library. Copied by Monotype in 1929 as OthelloMT. Neuland is all caps German expressionist typeface chiseled directly by Koch from metal. Klingspor), an outline version of Neuland.
In 2013, Lazar Dimitrijevic created Cal Neuland Bold. In 2010, Ian Lynam published yet another update, Neuerland. Nick Curtis made Jungle Fever and Jungle Fever Shaded (2008) after Neuland. A lower case and hair-serifed extension was created by Manfred Klein as On Kochs Roots (2002) and KochNeu-ExtraBlack (2003). In 1995, Doug Olena (Keystrokes) revived it as FFD Neuland (1995).
Klingspor): A four-lined art deco face. Prisma (1928-1931, Gebr. His student Hans Kühne finished the "halbfett" and the gothic after his death. Made for display in church windows, Koch designed the "mager" weight (1931) and an uncial version.
Revived by J.F.Y.Daniel Gauthier (GautFonts) as StahlSteel (2003) and StahlSteelRiveted (2003). Stahl (1933-1939): Done with H. See also the 10-style typeface family LL Prismaset at Lineto (2003-2017, Mauro Paolozzi, James Goggin, Alex Rich, Arve Båtevik, and Raphael Koch).
Wallau, which comes in rotunda (Rundgotisch) and uncial, was named after Heinrich Wallau (1852-1925), a printer from Mainz. Pictures by Dan Reynolds about Klingspor's Wallau speciman book (1939). See Wallaby on the SoftMaker MegaFont XXL CD, 2002, or Wallau by Fraktur.de or DS Wallau by Delbanco, or Wallau (2012) by Alter Littera. Klingspor), Wallau schmal (1934, Gebr. Klingspor), Wallau fett (1935, Gebr. Klingspor), Wallau halbfett ( 1930, Gebr.
Paul Hayden Duensing made a metal version under the latter name. To commemorate Wilhelm Klingspor, who died in 1925 from a war injury, it was renamed Wilhelm-Klingspor-Gotisch. Klingspor): This was originally called Missal. Wilhelm- Kli ng spor- Schr ift. Also revived by Dieter Steffmann (as WallauDeutsch-Bold (2002), Wallau Rundgotisch Heavy (2002), Wallau Rundgotisch OsF Heavy (2002), WallauUnzial-Bold (2002) and WallauZierBold (2002)) iand by PrimaFont.
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